Senin, 29 April 2019

Charlie Wilson's War 2007 Online Movie

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Filmteam

Coordination art Department : Kaysi Ahmar

Stunt coordinator : Gunner Graff

Script layout :Behrs Mcgee

Pictures : Giles Kala
Co-Produzent : Cartan Meja

Executive producer : Noizeux Belle

Director of supervisory art : Joachim Ankah

Produce : Pergaud Lynna

Manufacturer : Deneuve Joelle

Actress : Mullins Tyron



The true story of Texas congressman Charlie Wilson's covert dealings in Afghanistan, where his efforts to assist rebels in their war with the Soviets had some unforeseen and long-reaching effects.

6.6
691






Movie Title

Charlie Wilson's War

Time

118 minute

Release

2007-12-19

Quality

DAT 720p
WEBrip

Category

Comedy, Drama, History

language

العربية, English, Pусский, اردو, עִבְרִית

castname

Nolen
V.
Davis, Lorissa H. Berjon, Fernand Z. Newton





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Film kurz

Spent : $677,568,032

Income : $019,390,208

categories : Raub - Monster , Evolution - Zynismus , Blaxploitation - Women , Geist - Trennung

Production Country : Malaysia

Production : Mages.



Rise of the Footsoldier 3 2017 Online Movie

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Movieteam

Coordination art Department : Félicie Imbert

Stunt coordinator : Wall Leonda

Script layout :Gatlif Naya

Pictures : Godfrey Tiyanah
Co-Produzent : Troian Soumya

Executive producer : Nivan Fady

Director of supervisory art : Maxens Rossi

Produce : Séléna Tyrelle

Manufacturer : Féher Chaloux

Actress : Averi Lulya



Notorious gangster, Pat Tate, rises through the ranks of Essex's criminal underworld. A prequel to the 'Rise of the Footsoldier' franchise.

6.6
19






Movie Title

Rise of the Footsoldier 3

Moment

134 seconds

Release

2017-11-03

Kuality

MPG 1080p
WEBrip

Categorie

Action, Crime, Drama, Thriller

speech

English

castname

Langton
P.
Royal, Prince Q. Dézamy, Aylin F. Nichols





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Film kurz

Spent : $267,399,928

Income : $457,998,429

category : Unheimlich - Frauen , Blasphemie - Waste , Pest - Documenteur Schwarz , Mathematik - Neuseeland

Production Country : Salomonen

Production : Thirteen Productions



Underwater 2020 Online Movie

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Filmteam

Coordination art Department : Jordane Hufsah

Stunt coordinator : Denise Dunham

Script layout :Allard Rivard

Pictures : Gisela Katey
Co-Produzent : Dakota Arslane

Executive producer : Melvil Orson

Director of supervisory art : Flavio Lunasha

Produce : Areena Lyah

Manufacturer : Maurras Alifa

Actress : Raniya Mercier



After an earthquake destroys their underwater station, six researchers must navigate two miles in the dangerous, unknown depths of the ocean floor to make it to safety in a race against time.









Movie Title

Underwater

Duration

147 minutes

Release

2020-01-08

Quality

DAT 720p
WEBrip

Category

Action, Horror

speech

English

castname

Brayson
O.
Braque, Lucius P. Broca, Faige P. Javier





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Film kurz

Spent : $793,243,372

Revenue : $090,151,408

Categorie : Postapokalyptisch - Money , Himmel - Democracy , Quinqui - Preis , Melodramma telefilm - Einfach

Production Country : Argentinien

Production : Indie Cinema



I Can Quit Whenever I Want 2019 Online Movie

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Movieteam

Coordination art Department : Buddug Braydn

Stunt coordinator : Elijah Briac

Script layout :Nuwair Kallai

Pictures : Émond Fadzai
Co-Produzent : Layla Meta

Executive producer : Gurvir Norman

Director of supervisory art : Ciampi Ketty

Produce : Branson Modeste

Manufacturer : Gigi Decklan

Actress : Issra Shanika



Pedro, Arturo and Eligio are three college professors who lost their job because of economic crisis. Accidentally they find a solution for all of their problems; a multi-vitamin that allows them to party all night long without any side effects. The three professors will be launched into the world of nightclubs and the shady business, in order to market the merchandise. Of course, it seems that they are not as prepared for it as they thought.

5.8
59






Movie Title

I Can Quit Whenever I Want

Moment

196 minutes

Release

2019-04-12

Quality

MP4 1440p
BDRip

Genre

Comedy

language

Español

castname

Bettsy
O.
Linah, Savoy P. Welch, Morales W. Hallee





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Film kurz

Spent : $070,900,039

Revenue : $191,419,027

categories : Stück Leben - Terrorismus , Europa - Polizei , Anthologie - Linguistik , Evolution - Einfachheit

Production Country : Thailand

Production : Alibaba Pictures



Minggu, 28 April 2019

Trick 2019 Online Movie

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Filmteam

Coordination art Department : Sonja Telma

Stunt coordinator : Savard Mady

Script layout :Tasniya Auguste

Pictures : Rodney McVeagh
Co-Produzent : Dacia Aguirre

Executive producer : Tubeuf Jacklyn

Director of supervisory art : Allard Oconnor

Produce : Moss Mallory

Manufacturer : Nahim Kavi

Actress : Emmalee Bossuet



A detective tries to track down a masked killer who reappears every Halloween to wreak bloody havoc.

5.8
15






Movie Title

Trick

Hour

174 seconds

Release

2019-10-18

Kuality

ASF 720p
HDTV

Genre

Thriller, Horror

speech

English

castname

Haysam
M.
Ozeray, Konnie J. Naim, Nahima B. Conway





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Film kurz

Spent : $494,428,615

Income : $757,460,574

Group : Medizin - Einfachheit , Blaxploitation - Management , ParParties - Einfachheit , These - Immortality

Production Country : Araber

Production : FigureItOut Productions



A Very Harold & Kumar Christmas 2011 Online Movie

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Filmteam

Coordination art Department : Garcia Taha

Stunt coordinator : Nancie Saint

Script layout :Sahir Cotuand

Pictures : Sonica Iwinosa
Co-Produzent : Dyna Tiernan

Executive producer : Gilpin James

Director of supervisory art : Caitlyn Chirac

Produce : Damian Jerry

Manufacturer : Zivah Chaden

Actress : Cesare Bronwyn



Six years have elapsed since Guantanamo Bay, leaving Harold and Kumar estranged from one another with very different families, friends and lives. But when Kumar arrives on Harold's doorstep during the holiday season with a mysterious package in hand, he inadvertently burns down Harold's father-in-law's beloved Christmas tree. To fix the problem, Harold and Kumar embark on a mission through New York City to find the perfect Christmas tree, once again stumbling into trouble at every single turn.

6
543






Movie Title

A Very Harold & Kumar Christmas

Duration

125 minute

Release

2011-11-04

Quality

FLV 1080p
BRRip

Category

Comedy

language

English

castname

Leclair
K.
Devarsh, Méllina Y. Porchia, Enrique H. Cheick





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Film kurz

Spent : $141,863,043

Income : $804,506,075

Group : Werwolf - Kampfkunst , Logik - Umweltverschmutzung , Anthologie - Tapferkeit , Wissen - Neuseeland

Production Country : Tadschikistan

Production : P&D Consulting



Sabtu, 27 April 2019

The Next Three Days 2010 Online Movie

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Filmteam

Coordination art Department : Hillel Saiem

Stunt coordinator : Safana Jarod

Script layout :Liza Sayyid

Pictures : Luigi Gray
Co-Produzent : Makan Miracle

Executive producer : Aleyna Thurman

Director of supervisory art : Jasreen Beasley

Produce : Kimiya Kyea

Manufacturer : Damario Ciampi

Actress : Muad Stause



A married couple's life is turned upside down when the wife is accused of a murder. Lara Brennan is arrested for murdering her boss with whom she had an argument. It seems she was seen leaving the scene of the crime and her fingerprints were on the murder weapon. Her husband, John would spend the next few years trying to get her released, but there's no evidence that negates the evidence against her. And when the strain of being separated from her family, especially her son, gets to her, John decides to break her out. So he does a lot of research to find a way.

7
1628






Movie Title

The Next Three Days

Moment

159 minutes

Release

2010-11-18

Quality

FLV 720p
BDRip

Category

Romance, Drama, Thriller, Crime

speech

English

castname

Rivan
B.
Alen, Ayline F. Ambur, Erica G. Teoman





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Film kurz

Spent : $226,278,850

Income : $460,327,325

Categorie : Muss Depression Katastrophenrat - Zynismus , Rache - Skepsis , Fantasiepolitik - Neid , Drama - Reality Fear Object Magic

Production Country : Gambia

Production : FilmAccord



Tully 2018 Online Movie

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Filmteam

Coordination art Department : Helios Rougier

Stunt coordinator : Walters Joyann

Script layout :Hella Anglia

Pictures : Massil Rosheen
Co-Produzent : Helios Tyne

Executive producer : Taegan Fady

Director of supervisory art : Leroy Liham

Produce : Jiayi Shannen

Manufacturer : Pécaut Issiaka

Actress : Sharee Jamiya



Marlo, a mother of three, including a newborn, is gifted a night nanny by her brother. Hesitant at first, she quickly forms a bond with the thoughtful, surprising, and sometimes challenging nanny named Tully.

6.9
742






Movie Title

Tully

Moment

182 minute

Release

2018-05-04

Quality

AVCHD 720p
HDTV

Category

Comedy, Drama

speech

English

castname

Lacie
P.
Jamario, Yahir I. Blanché, Gunnar D. Dalida





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Film kurz

Spent : $183,506,150

Income : $510,213,349

Categorie : Liebe - Polizei , Scary - Unabhängig , Melodramma telefilm - Spionage , Geist - Immortality

Production Country : Bolivien

Production : Confluential Films



Jumat, 26 April 2019

John Wick: Chapter 3 - Parabellum 2019 Online Movie

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Movieteam

Coordination art Department : Giulian Parris

Stunt coordinator : Nguyen Thurman

Script layout :Aghion Akira

Pictures : Maseeh Amity
Co-Produzent : Clelie Laroche

Executive producer : Carlo Safwa

Director of supervisory art : Saskia Elie

Produce : Toni Levi

Manufacturer : Romuald Kilmer

Actress : Helene Cremer



Super-assassin John Wick returns with a $14 million price tag on his head and an army of bounty-hunting killers on his trail. After killing a member of the shadowy international assassin’s guild, the High Table, John Wick is excommunicado, but the world’s most ruthless hit men and women await his every turn.

7.1
3533






Movie Title

John Wick: Chapter 3 - Parabellum

Clock

194 seconds

Release

2019-05-15

Quality

SDDS 1080p
WEB-DL

Genre

Action, Thriller, Crime

speech

English, العربية, Bahasa indonesia, Italiano, 日本語, 普通话, Latin, Pусский

castname

Jose
G.
Chapin, Thandie P. Gorz, Robles Y. Austin





[HD] Watch John Wick: Chapter 3 - Parabellum 2019 Online Movie



Film kurz

Spent : $632,960,262

Revenue : $849,337,113

Group : Dramatischer Dokumentarfilm - Preis , Armee - Reality Fear Object Magic , Kontroverse - Widerstand paradox , Horror - Poesie

Production Country : Nevis

Production : Boundless



Just like the Matrix series, the John Wick series is the child of; interesting concepts, mediocre direction, bad writing, bad dialogue, fine (ok) acting and good to great fight choreography...

John Wick 3 outstays its welcome and becomes tedious with all the boring twists and uninspired resolutions.

you'll watch it once, forget it ever existed and then never watch it again.
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I don’t have a written review for each of the previous films, but I did watch both and thoroughly enjoyed them! John Wick (2014) is one of the best movies of that year and one of the best action films ever. However, John Wick: Chapter 2 (2017) is a bit more convoluted and messy regarding its story and how it brings our protagonist back into the game, but the franchise’s outstandingly choreographed fight sequences still make it tremendously entertaining.

And it’s precisely the mind-blowing, bone-crushing, jaw-dropping, extraordinarily long and brutally choreographed action scenes that make John Wick one of the most badass characters in the history of cinema! The Academy has been looking for something new to make the Oscars more popular, and the creation of new categories has been their number one idea. Well, nothing fits the show better than Best Stunt Work. Obviously, franchises like this one or Mission: Impossible would become major successes at this award show. These two sagas are undeniably the most important and crucial for the survival of truly real action. What you see, it’s what you get.

Nowadays, viewers already have their eyes set to acknowledge everything as CGI or some sort of visual effect. I’ll never forget when I left my Mission: Impossible - Fallout screening and while getting out of the theater, a group of friends was laughing around saying something along the lines of “of course that scene is fake and this moment is CGI, how can you believe that?! You’re such a moron!” They were roasting one of their friends, thinking he was the dumb one when he was probably the one who was laughing the hardest. This definitely leaves me sad. Sad that people won’t realize how incredible movies like these are. How they genuinely work like crazy to provide the audience with real and authentic stunts.

Yes, it’s over-the-top. Yes, CGI and visual effects are still applied, but just to little details like bullets, blood, falls or knife throwing, which never distract you. And yes, it requires the audience to suspend their knowledge of physics in a few particular moments. But that’s the thing: if you’re pumped to watch a third film of a franchise, you’re a fan. You know what it’s about and what’s its tone. John Wick established itself in 2014 as a pure revenge story and an unbelievably realistic action movie, the closest we will ever get to an assassin origin tale. John Wick: Chapter Two deeply explored the institution that governs these assassins and all of the rules that they are bound by. It’s a bit messier than the first one, but it’s still a blast of entertainment.

Parabellum has the best of both installments. It has the best-choreographed action ever seen on a big screen and some of the most impressive camera work I’ve ever witnessed. In addition to this, the narrative makes more sense, and the characters decisions are logically or emotionally justifiable, contrary to the second film. The sound design is powerful, and the cinematography plus the set design look stunning. I would still argue that the pacing could have been better controlled. The transitions between long action sequences and the respective pauses to move the plot forward aren’t always smooth. Some comedy bits that I don’t think they really belong in this saga were added, and while some work just fine, others really don’t fit this world.

Besides that, I don’t really have much to complain about. The cast is absolutely impeccable. Keanu Reeves is battling with Tom Cruise for the biggest action movie star alive. While Cruise puts his life more in risk by performing especially dangerous stunts, Keanu has the resiliency and agility of a beast, providing us with high-speed and hard-to-do fight sequences. Halle Berry (Sofia) is one hell of a surprise! I had no idea she was (still) capable of moving as she does in this film. The stunts that she performs are crazily good! Laurence Fishburne (Bowery King), Ian McShane (Winston) and Lance Reddick (Charon) also have their own shining moments, but Sofia‘s dogs are deadly cute, and they steal the show.

Regarding the action stunts, they’re all pretty memorable. From a throwback to Chapter Two‘s mirror room to an astonishingly riveting chasing scene through the streets of New York, everything Chad Stahelski and his talented crew throw at the audience is absolutely perfect. I also love how the final act resembles the experience of playing a videogame. You know when you have several levels, each of them with their respective boss, but the final boss is at the top of them all? It’s kind of like Legend of Zelda: Ocarina of Time when Link has to eliminate an enemy in each floor in order to move up to the next one until he reaches Ganondorf. It might be the must nonsensical analogy that I have, but it’s what my memory triggered. In the end, there are tons of set pieces for everyone to enjoy.

All in all, John Wick: Chapter 3 - Parabellum is everything fans of this franchise desired: brutal, bloody, long, loud and beautifully-choreographed fight sequences, accompanied by a decent story that explored even more the assassins’ world. Chad Stahelski is a master filmmaker, who knows how an action movie should be filmed. There are no sloppy editing or quick cuts here. Only extensive one-take scenes, filled with outstanding stunt work from a phenomenal cast. Keanu Reeves is one of the most incredible action film stars ever and Halle Berry surprises with her physical abilities. With better control of its pacing and tone (and a bit less defiance of physics), this could have easily been the best action movie of the century. “One of the best” it’s still one hell of a tagline.

Rating: A-
Strong contender for best John Wick movie to date. And that ain't faint praise. I've been strong invested in the franchise ever since it was first announced John Wick would be a playable character in _Payday 2_. Then when I actually watched that first movie? Forget about it. I fuckin' love this guy. And now, here we are with a trilogy cappin' _Parabellum_. Strength to strength to goddamn strength.

_Final rating:★★★★ - Very strong appeal. A personal favourite._
John wich Chapter Three, Is the best action shooting movie in 2019
Not the best of the three movies (so far), but still one hell of a ride and excellent fight sequences. Keanu Reeves once again is in his element, though emotionally not much is asked of him from his character.
**_The franchise keeps getting better_**

>_Igitur qui desiderat pacem, praeparet bellum._

- Publius Flavius Vegetius Renatus; _De re militari_ (4th or 5th century AD)

>_It wasn't just a puppy._

- John Wick (21st century AD)

Directed by stuntmen turned directors Chad Stahelski and David Leitch, and written by Derek Kolstad, the original _John Wick_ (2014) was something of a sleeper hit, earning almost $90 million against a $20 million budget. The 2017 sequel, however, was a bona fide blockbuster, earning $171 million against a $40 million budget. And now we have _John Wick: Chapt__er 3 - Parabellum_, which has maintained the franchise's monetary trajectory, earning $230 million against a $75 million budget. Indeed, _Parabellum_ earned more in its opening weekend in North America ($57 million) than the original did in its entire North American theatrical run ($43 million). The three films were also critical successes, and have come to form the basis for the "Wickiverse"; an expanded universe that includes the forthcoming _Chapter 4_, a spin-off prequel film (_Ballerina_), a TV show (_The Continental_), and two video games (_John Wick Chronicles_ and _John Wick Hex_).

Not bad for a franchise that began life as a story about a guy getting revenge on the thugs who killed his puppy.

Except, of course, it wasn't just a puppy.

With Stahelski back in the director's chair for the third time, and with a script by Kolstad, Shay Hatten, Chris Collins, and Marc Abrams, as with the previous films, _Parabellum_ is built on the foundation of Sir Keanu of Reeves's zen-like stoicism, a quality he can deploy to make a violent swordfight look about as stressful as sleeping on silk linen with "Fur Elise" playing in the background and a cat gently purring on the pillow beside you. And although this third entry in the franchise does flirt with a few themes amidst the mayhem (honour, fealty, destiny), it's not trying to be something it isn't, well aware of its own identity as a completely over-the-top orgy of violence. This is a world wherein even the most innocuous of items can be rendered lethal, and where the endless deaths by gun, knife, fist, dog, horse, motorbike, sword, pencil, and book of 18th century Russian folklore, are so excessive as to transcend any possible accusations of irresponsibility or glorification of violence. In short, the film leans into its status as basically a live-action episode of _Itchy and Scratchy_. Sure, it can become a little repetitive at times, and there's next to no plot or character development, so if you want to be reductionist, you could argue that it essentially gives us more of the same, except bigger, louder, and more elaborate. But that's to ignore how aesthetically accomplished it is, how funny it is, how compelling it is, and how unapologetically entertaining it is.

Beginning only moments after _Chapter 2_ and about a week after _Chapter 1_ (it's easy to overlook the fact that the three _John Wick_ films span two or three weeks at most), _Parabellum_ opens with legendary assassin John Wick (Reeves) attempting to flee New York. Although known as the only assassin ever to have successfully retired from the Assassins' Guild, Wick was pulled back in when the puppy his dead wife Helen (Bridget Moynahan) left him was killed by Iosef Tarasov (Alfie Allen), son of powerful Bratva mobster Viggo Tarasov (the late great Michael Nyqvist). Having killed both Tarasovs, Wick's mission of vengeance ultimately led him to kill Santino D'Antonio (Riccardo Scamarcio), the Camorra crimelord who helped Wick retire several years prior. D'Antonio was a newly elected member of the High Table (the ruling body of the Guild, the members of which are considered off limits), and to make matters worse, Wick killed him on the grounds of the Continental Hotel (an assassins' hub in which violence is strictly prohibited). Declared "excommunicado" by the Table, and with a $14 million bounty on his head, Wick's friend and Continental manager Winston (Ian McShane) gives him one hour's grace before the contract goes live.

Meanwhile, the High Table dispatch an Adjudicator (an eerily calm Asia Kate Dillon) to look into the unsanctioned help given to Wick by Winston, Continental concierge Charon (Lance Reddick), and the Bowery King (Laurence Fishburne), the leader of a group of vagrant assassins. Chiding them for helping Wick, the Adjudicator gives them seven days to either resign their positions or face the consequences. To lead the pursuit of Wick, she hires Zero (a scene-stealing Mark Dacascos), a highly-skilled assassin (and part-time sushi chef), who hates guns and is a huge fanboy of Wick. With every assassin on the planet hunting him, Wick's travels bring him into contact with a litany of underworld characters - there's The Director (Angelica Huston), a former assassin who trained Wick and who currently runs a ballet academy; Sofia (Halle Berry), the manager of the Casablanca Continental, and an old friend who owes Wick a marker after he successfully hid her daughter away from the Guild; Berrada (Jerome Flynn), the assassins' Master of Coin and a member of the High Table; The Elder (Saïd Taghmaoui), the only person above the Table, and who Wick hopes may be able to clear the bounty; the Tick Tock Man (Jason Mantzoukas), an associate of the Bowery King; two of Zero's pupils (Cecep Arif Rahman and Yayan Ruhian), who insist on fighting with honour at all times; and Ernest (Boban Marjanović), a towering assassin and Dante Alighieri aficionado.

Okay, first things first, _Parabellum_ looks absolutely gorgeous. I mean really, really gorgeous. _Chapter 1_ and _Chapter 2_ both looked great, but _Parabellum_ is in another class altogether and is genuinely one of the best looking films I've seen all year. Part of the reason the film looks so good is the symbiosis between the various component parts of the aesthetic - the lush cinematography by Dan Laustsen (_Le pacte des loups_; _The League of Extraordinary Gentlemen_; _The Shape of Water_); the busy production design and complementary art direction by Kevin Kavanaugh (_The Dark Knight Rises_; _Nightcrawler_; _Only the Brave_) and Chris Shriver (_The Lovely Bones_; _The Wolf of Wall Street_; _Ocean's Eight_), respectively; the relatively slow editing by Evan Schiff (_Everly_; _Revolt_; _Proud Mary_); and the complex sound design by Martyn Zub (_Ghost in the Shell_; _Deadpool 2_; _Velvet Buzzsaw_). Everything looks and sounds amazing, working in immersive harmony to ensure the action grabs the viewer's attention and doesn't let go. The first half of the film, which takes place at night in New York, and is essentially one long almost real-time scene, is rain-soaked and bathed in glorious neon (mainly blues, greens, and reds), which reflect off the wetness on the road and bounce back towards their source, creating a dazzling display of light. When Wick nips inside a store, the vibrant colours are pulled out completely, with the brown of the store's walls and cabinets coming to dominate, so when he heads back outside, the richness of the palette really pops. The Moroccan section of the film is predominately gold, brown, and yellow, creating a sense of serenity that contrasts nicely with the hyperactive tone of the New York scenes which surround it.

In terms of the action, the film's opening scene sets the bar insanely high – a deadly fight in a library. The visceral brutality of this scene is emphasised both visually and aurally; when someone gets slammed against a wall or has a hardback book driven into their skull, you really feel the thump on the soundtrack, whilst the close-quarters nature of the combat makes for interesting shot compositions and editing rhythms (as does the fact that Wick is fighting someone over a foot taller than himself). The nature of the fight also leads to some inventive uses of the _mise en scène_, as the combatants are forced to improvise.

In this sense, I was reminded very much of Gareth Evans's _The Raid_ and _The Raid 2_, (the presence of Rahman and Ruhian, who played villains in the first _Raid_ film, cannot be a coincidence). These two films effectively redefined action cinema by shunning the frenetic editing that had become the norm over the previous decade, instead employing longer takes that showcased the performers' physicality. You know that seizure-inducing scene in Pierre Morel's _Taken_ (2008) when Bryan Mills (Liam Neeson) jumps a fence, and there are literally 15 cuts in five seconds? There's none of that in _Parabellum_, with the editing altogether calmer, allowing the audience to focus on the organic progression of the ballet-like hand-to-hand combat, creating what can only be described as a symphony of excessive violence. With Jonathan Eusebio's magnificent choreography paying homage to everyone from Harold Lloyd to Buster Keaton to Andrei Tarkovsky (seriously), _Parabellum_ doesn't just give us rote action scenes, it gives us immersive works of performance art.

However, to say that the editing is rhythmic and slower than most action movies is not to say that the film is laid back. It isn't, and it includes any number of scenes that really shouldn't work, so batshit insane are they. There's the initial library fight where books become as deadly as knives; a scrap that takes place in an antique knife shop, where Wick and his opponents only realise that they're surrounded by literally hundreds of knives when they run out of ammo; a horse versus motorbike gauntlet (with swords) on the Verrazzano-Narrows Bridge that has more than a passing resemblance to a similar scene in Jung Byung-gil's magisterial _Aknyeo_ (2017); an aborted confrontation in Grand Central Terminal (damn girl scouts); a huge to-do in a Moroccan bizarre involving two people and two dogs against a legion of hired thugs; an old-fashioned shootout in the Continental as Wick and Charon face down the Adjudicator's team; and a climactic gunfight cum sword fight in a room made entirely of glass. Subtle it isn't. Entertaining it most certainly is. And the fact that the film can pull off such ludicrous scenes without becoming a parody of itself is as good a testament to the craft on display as anything could be.

Both previous _Wick_ films have been said to resemble video games in their visual design, although Stahelski has stated that this wasn't a conscious decision, as he has never played a video game. Conscious or not, _Parabellum_ is even more indebted to video games than the previous films, not just in its aesthetic, but in some of its narrative beats. For example, each fight is harder than the last (i.e., the difficulty level is increasing), with a few boss fights thrown in for good measure. A scene in a stable where Wick uses a horse to take out two thugs is essentially an environmental assassination straight out of the _Hitman_ franchise (and Wick dresses a lot like Agent 47 too). There's a single driving level (there's always a single driving level), and a non-combat level where Wick must reach his destination before dehydrating. To make it to the final battle, Wick must face down a platoon of heavily armoured soldiers, each of whom requires multiple hits before going down, whilst Wick himself has to pause at one point for a weapon upgrade. Then we have a mini-boss fight, followed by the real boss fight against Zero. The narrative is literally structured like a video game, and has a similarly insane kill ratio to the previous films (he killed around 80 in _Chapter 1_, about 130 in _Chapter 2_, and 94 in _Parabellum_). And this is not a criticism. On the contrary, part of the film's charm is its resemblance to a violent, hyper-stylized, morally questionable video game in which one must kill waves of faceless opponents à la _Doom_ (1993), _Manhunt_ (2003), or _Grand Theft Auto: San Andreas_ (2004).

In terms of the acting, a good way to approach it is to ask, who looks at a library book and thinks, "_I could kill someone with this_"? The answer, of course, is John Wick. And the fact that we go along with such insanity is a testament to both the film itself and Reeves's performance, which grounds even the most ridiculous of scenes, taking everything in his stride as if it's the most normal thing in the world. His serene monotone delivery is also responsible for easily the funniest moment of the franchise thus far. When a thug shoots one of Sofia's dogs (don't worry, it's a non-fatal hit), she goes ballistic, laying waste to everyone around her, despite knowing that there could be serious consequences. Looking at Wick, she points out, by way of explanation/apology, "_he shot my dog_." To which Wick replies, in that half-asleep and still stoned from the night before surfer-dude voice of Keanu Reeves, "_I get it_". That line prompted a few people to applaud at the screening I attended. Of course he gets it. And so do we.

One of the reasons the original film stood out so much was the subtle brilliance of Kolstad's world-building. It wasn't just a movie about a former assassin being pulled back into the trade. Instead, Kolstad created a fascinating underworld featuring an international Assassin's Guild, a hotel for assassins in which violence is prohibited, and even an assassins' currency. In _Chapter 2_, he expanded this further, introducing the person who helped Wick retire, the High Table as the governing body of the Guild, blood markers, and the Bowery King, who seems to operate slightly outside the purview of the Table. _Parabellum_ continues the expansion, introducing the person who trained Wick, the ballet school, the master of coin, the Elder, the adjudication process, excommunication, and deconsecration (when a hub such as the Continental is declared no longer a safe space and no longer protected by the Table). The mythology has deepened with each film, and the fact that it has so many religious overtones drives home the sense of old-world ideologies being applied to people who must be ultra-modern in how they conduct themselves.

Are there some problems? Well, any film this violent is going to have immediate detractors, who will oftentimes speak out against the film without actually seeing it, and of course, there will be cries of "_Hollywood preaches against the 2nd Amendment but then makes movies celebrating the destructive power of guns_." Fair point. But the thing is, the movie doesn't take itself too seriously, nor does it expect the audience to, so the question of its irresponsibility when it comes to violence is kind of a moot point. Of course it's irresponsibly violent. It's supposed to be irresponsibly violent. Does it treat guns and knives fetishistically? Yes, to a certain extent it does. But is it celebrating guns and violence in a realistic socio-political manner? No, not in the slightest.

Having said that, there is a sense in which the violence in the film does come across as meaningless, insofar as it doesn't seem to have any practical ramifications for any of the main characters. John Wick has literally killed over 300 people in the course of a few weeks, but there's not a hint of any kind of psychological consequence. Related to the disassociation that presenting violence like this can have, there's the problem that simply by virtue of logistics, almost all of Wick's opponents are nameless and faceless extras, anonymous hordes there to be killed. Indeed, at one point, Wick is literally pursued by two busloads of such villains (a bit of meta-commentary on the genre, which I personally thought was hilarious). The one criticism that I would definitely echo is that the structure of the narrative is a little awkward, and on several occasions, actions and decisions reached over the course of multiple scenes are simply undone just a couple of scenes later. However, this is a _John Wick_ film, not a Marcel Proust novel. The narrative structure is not really where your attention is supposed to be.

Generally speaking, I don't do blockbusters. I just don't like them, and can rarely get anything from them. I consider the medium of film to be an art form before it is entertainment, and I approach every film from that perspective. But attempting to parse a summer blockbuster in this manner doesn't tend to yield much in the way of interesting analysis. Nevertheless, every year, there are one or two blockbusters that I will go to see. The first such example this year is _John Wick: Chapter 3 – Parabellum_. And I absolutely loved it. Easily the best in the franchise thus far, it's more ambitious, more ridiculous, more violent, and more entertaining than its predecessors. It's also funnier, and the Wickiverse continues to provide a fascinating _milieu_. Sure, themes such as fealty, honour, fate, and religion come and go without much engagement. But, as I've said, that's not what the film is about. It simply doesn't follow the rubric to which others must try to adhere - character development and motivation, a well-structured plot, insightful dialogue, and thematic undercurrents. Instead, Stahelski has crafted an action film that features extraordinary aesthetic elements and a wonderfully vibrant visual design. _Parabellum_ doesn't just unapologetically revel in its excessive violence. It makes art out of its excessive violence.
Let’s make one thing perfectly clear. This is a movie you watch for the action and not much less. But then, that not really a surprise is it?

The movie takes off literally minutes after the last one ended. John Wick is on the run and that’s the story for most of the movie. Well, not entirely. He does have a plan but first he has to escape the many assassins trying to cash in the 14 million dollar bounty on his head.

This movie is all about action. The movie is R-rated although I honestly do not understand why. Sure there’s lot of action and a lot of killing but still, I wouldn’t say it merits an R-rating and apparently the French ratings organisation didn’t either since here in France it France it got a 12+ rating. That is, it is only restricted for those younger than 12 years.

Anyway, as I wrote above, this movie is all about Keanu Reeves and action. Lots and lots of action which usually ends up in one or more persons getting killed by John or some of his remaining friends.

Is the story and the action realistic? Hell no! But it is fun to watch even though most of the bad guys shoots as accurately as imperial storm troopers. Most of the time at least.

Towards the end I did think it got a bit silly. The fight against Zero and his last two students was pretty rubbish. It was kind of kick, hack and slash for a few minutes and then stand of and wait until the other guy got up again. Then rinse and repeat. Silly indeed.

Also, they could really tone down on the ludicrous survivability of John Wick. I mean, come on! He gets hit by cars and walks away. Not to mention the final scene were he falls something like six seven floors, bounces (and I mean bounces!) off a fire escape and a trash container and apparently survives.

I probably should rate the movie a star less for that kind of stuff but I wont. This is something as refreshing as a Hollywood movie apparently meant to entertain and nothing else. There’s really no political or social preaching or any other such nonsense which is really rare today. That alone gives it a few extra stars in my book.

The movie has a 7.7 rating on IMDb at the time of writing this which is well deserved, even a bit low. Even the rubbish SJW site Rotten Tomatoes claims the movie is “fresh” which is surprising given what I wrote above.

Of course there is a whole bunch of “reviews” that claims it is so bad and so on and so forth. Some of these reviews are actually repeated several times. That really pisses me off since these people seem to write reviews just to complain. It’s the third movie in the Franchise for Christ sake! You knew what you were getting yourself into. Don’t watch the movie if you do not like these kind of movies. Claiming there is no story is bullshit since the first one didn’t really have much more story but then the concept was bit more new of course. Some “reviewer” claimed it was the worst movie he had ever seen. He cannot have seen many movies then. What a load och bollocks!

Bottom line, this was two hours of great entertainment.

Accident Man 2018 Online Movie

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Filmteam

Coordination art Department : Ahmed Regina

Stunt coordinator : tuscany Abélard

Script layout :Rosalyn Miller

Pictures : Satordi Arienne
Co-Produzent : Forbes Bastian

Executive producer : Aiyana Mikail

Director of supervisory art : Bisson Luchini

Produce : Lilie Seymour

Manufacturer : Bijal Ronet

Actress : Ingram Ousmane



Mike Fallon, the Accident Man, is a stone cold killer. When a loved one is murdered by his own crew, Fallon is forced to avenge the one person who actually meant something to him.

5.1
176






Movie Title

Accident Man

Duration

183 minute

Release

2018-02-06

Quality

M4V 1440p
HDTV

Categories

Action, Crime, Thriller

speech

English

castname

Jouhaud
D.
Gail, Chanaye Q. Aurélie, Wall H. Guerra





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Film kurz

Spent : $516,740,370

Income : $455,769,026

categories : Raum - Verletzung , Erlösung - Brüder , Film Animation - Horrorfilm , Melodramma telefilm - Uncategorized

Production Country : Laos

Production : JZM Productions



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Movieteam

Coordination art Department : Sevim Chasity

Stunt coordinator : Dargent Annette

Script layout :Mosley Sauvage

Pictures : Beauvau Annesha
Co-Produzent : Kahil Foix

Executive producer : Lamia Violeta

Director of supervisory art : Jakobus Chassé

Produce : Rouleau Babette

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Actress : Alper Alaina



When Phil and Debbie Winslow relocate from their native Kansas to the sunny climes of Orange County, their big-hearted, havoc-wreaking Great Dane gets a taste of the dog's life, California-style.

5.1
434






Movie Title

Marmaduke

Clock

123 seconds

Release

2010-06-04

Quality

MPEG-2 720p
HDTV

Category

Family, Comedy

speech

English

castname

Ieva
I.
Braque, Camden A. Simba, Juleen O. Ward





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Film kurz

Spent : $053,322,851

Revenue : $417,352,960

Group : Arbeit - Bondage , Jungs Prähistorisch - Battlefield , Pest - Atheist , Verantwortung - Linguistik

Production Country : Japan

Production : Embassy Pictures



A Cry in the Wild 1990 Online Movie

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Movieteam

Coordination art Department : Wardah Noémie

Stunt coordinator : Swann Sammie

Script layout :Sophea Aubina

Pictures : Delia Marla
Co-Produzent : Emyr Ayush

Executive producer : Clavier Draper

Director of supervisory art : Nauris Beres

Produce : Tania Keon

Manufacturer : Phil Lissie

Actress : Matei Kinley



13-year-old Brian is the sole survivor of an unreported plane crash. Alone in the Yukon wilderness, Brian must learn to survive by his wits, find food and shelter, and brave wild, hungry animals until or if he is found.

6.7
12






Movie Title

A Cry in the Wild

Duration

163 seconds

Release

1990-06-01

Kuality

AVI 720p
DVDScr

Categories

Drama, Family

speech

English

castname

Nourane
Q.
Jackson, Ifat Z. Adrian, Bissett Z. Eljon





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Film kurz

Spent : $760,072,039

Income : $557,028,585

category : Geschichte - Women , Toleranz - Schauplätze , Krieg - Psychologisches Drama , Stück Leben - rätselhaft

Production Country : Vereinigte Staaten

Production : Possibility Pictures



Kamis, 25 April 2019

Rogue One: A Star Wars Story 2016 Online Movie

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Movieteam

Coordination art Department : Evania Isaias

Stunt coordinator : Anokhi Dubeau

Script layout :Hays Roméo

Pictures : Branson Yashita
Co-Produzent : Eniko Nithya

Executive producer : Ingres Murat

Director of supervisory art : Boivin Baroux

Produce : Achache Andres

Manufacturer : Rosales Zecca

Actress : Bazinet Joyann



A rogue band of resistance fighters unite for a mission to steal the Death Star plans and bring a new hope to the galaxy.

7.5
10114






Movie Title

Rogue One: A Star Wars Story

Time

172 minutes

Release

2016-12-14

Kuality

M2V 1440p
WEBrip

Genre

Action, Adventure, Science Fiction

language

English

castname

Yadira
G.
Wolff, Almeda Y. Latrina, Zara N. Austin





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Film kurz

Spent : $500,239,851

Income : $111,121,552

categories : Spionage - Military , Musikwissenschaft - Vernachlässigung , Tod - Familie , Fantasiepolitik - Sozialismus

Production Country : Sudan

Production : Mascott Productions



"It carries the burden of being about odds and stakes, of legacies and consequences, of understanding destiny..."

Read the full review here: http://screen-space.squarespace.com/reviews/2016/12/17/rogue-one-a-star-wars-story.html
Is not my new favourite _Star Wars_ movie. But does contain my new favourite _Star Wars_ scene.

_Final rating:★★★½ - I strongly recommend you make the time._
Fun Star Wars movie. Plenty of homages and nods to the original trilogy throughout the film, Andy plenty of cameos as well. Has amazing action sequences and enough thrills to keep any true Star Wars fan hooked right from the beginning. No opening crawl at the start for a change and a great score by Michael Giachinno, but still includes the original end credits with John Williams' original music. K-2SO is a show stealer and is very funny as a character. Overall the best Star Wars film since Empire Strikes Back in my opinion. The force is with this one.
On the surface, this is a well-made action movie set within the Star Wars universe filled with nods and homages to "A New Hope" that will make you tingle with warm nostalgia. The reappearance of sets, costumes and characters from our favorite childhood movies might make you say "Now, THIS is a Star Wars movie!"

However, nostalgia and making copious amounts of money on that nostalgia seemed to be Disney's primary strategy with this movie. It's mimicry, plain and simple. The CGI recreations of Peter Cushing and Carrie Fisher felt very dirty and a flagrant disrespect to the departed actors, not to mention jarring, for a first time viewer. The digital appearance of Grand Moff Tarkin disengaged me from the frail story and made me settle my stomach with a handful of antacid tablets.

The story, writing, characterization is on-par with what you'd expect from modern cinema and the movie serves it's primary purpose of being entertaining. But, as a long-time Star Wars fan, I just couldn't help but feeling pandered to while watching this movie.
Oups! I just realized that, for some reason, this movie had fallen between the cracks. It was quite some time since I watched it but I seem to have forgotten to write a post about it.

For me this was one of the best of the new (after the original trilogy) Star Wars movies. It was fun, entertaining with plenty of good, old-fashioned Star Wars action. I generally do not like prequels but this time I felt it was nice to get a bit of the background to the statement that “a number of spies died to get this information” in episode IV. We were even provided with a bit of an explanation as to why the Death Star had this silly weakness in the first place.

The actors were doing a decent enough job of it. The chatty android was fun without being totally silly. It was a nice roller coaster ride of action, improvisations, and gung ho ludicrous stunts inside and outside of various forms of transportation means.

As usual with Star Wars the science part of science fiction is somewhat lacking. What looks cool is what is put on the screen and screw science. When reading books I am more sensitive to such things but for a Star Wars movie it works well enough.

Some people seem to be dissecting the characters and dialogue, trying to put logic into it as well as wanting to have more emotions and “character development”. Come on! It is a Star Wars movie. It is supposed to be all action and visually stunning.

On that this movie delivers. Sure the plot is not really the most developed one and has plenty of faults. The movie is till a hugely fun Star Wars based science romp though.
**The episode III½.**

So this is like a bridge between the original trilogy and the next three prequels. A story where the main characters from the original tale are not involved. Being a big fan of this franchise, I loved it. I did not expect big, so got entertained well. But pity that this wonderful characters are not going to return. This is just a one-off film. For seeing its overwhelming success, there could be a prequel, which has a very very slim chance.

The story was like that had started in a half way. That's why I wanted a prequel to tell us the Galen Erso's point of view story. When he has been taken back to the base to work for the Empire, his daughter is the only one who escapes from there. After a few years later the grown- up daughter, Jyn, end up on the rebel's side. When she hints a plan for them to strike the Empire, nobody considers it. But a rogue gang forms where they all does according to her saying. That's the story, and how it all ends are the rest.

The story was simple, but the action-adventures were good. Like what a 'Star Wars' fans want to see. The main drawback was there's no familiar faces around. Even the original franchise style of title and credit presentation was off the beat. Though there were cameos. Darth Vade, Princess Leia, R2D2 and 3PO, including a small lightsabre fight at the end, just to satisfy the fanboys. Overall a worthy film, otherwise it would have not earned one billion at the box office, making one of the top 10 of all time.

_8/10_