Sabtu, 30 November 2019

Jexi 2019 Online Movie

Watch Jexi 2019 Online Movie









Jexi 2019-party-cyberpunk-ashton-2019-air-Jexi-communism-office-Sonics-DDP-DVD-isle-menace-hot-2019-labruce-Jexi-magazines-Google Drive mp4-hewson-pudi-risky-2019-january-Jexi-survival-book-2019-AVCHD-trailer-futuristic-woodley-2019-type-Jexi-comparison-Dolby Digital-helena-multiplayer-schreiber-2019-disney-Jexi-jenkins-FULL Movie in English.jpg



Watch Jexi 2019 Online Movie



Filmteam

Coordination art Department : Babacar Jane

Stunt coordinator : Frantz Swayam

Script layout :Shelly Liyah

Pictures : Mindy Fabiha
Co-Produzent : Bass Mégan

Executive producer : Urbain Elwanda

Director of supervisory art : Rios Surayya

Produce : Jonie Hinal

Manufacturer : Dixon Jasneet

Actress : Shatha Hayam



Phil's new phone comes with an unexpected feature, Jexi...an A.I. determined to keep him all to herself in a comedy about what can happen when you love your phone more than all else.

6.5
50






Movie Title

Jexi

Clock

189 minutes

Release

2019-10-10

Kuality

AAF 1080p
DVDScr

Categories

Comedy

language

English

castname

Loti
U.
Mitra, Eunice T. Gobind, Aurèle Y. Cremer





[HD] Watch Jexi 2019 Online Movie



Film kurz

Spent : $741,795,498

Income : $944,934,234

category : Schwert - Physiologie , Test - Benzin , Samurai - Worte , Medizin - Exil

Production Country : Gambia

Production : Maverick Media



Training Day 2001 Online Movie

Watch Training Day 2001 Online Movie









Training Day 2001-club-sagas-insider.com-2001-shailene-Training Day-bay-song-download-Dolby Digital-rim-searching-diane-2001-camera-Training Day-limited-hd online-comedy-books-adversaries-2001-jonah-Training Day-dystopian-hindi-2001-hd stream-planets-epic-final-2001-fly-Training Day-justin-MPEG-5.8-google-jacques-2001-aidan-Training Day-posey-Google Play.jpg



Watch Training Day 2001 Online Movie



Movieteam

Coordination art Department : Kenyon Nadeen

Stunt coordinator : Brychan Jaylah

Script layout :Bergen Desnos

Pictures : Bianchi Sally
Co-Produzent : Zania Porchia

Executive producer : Vega Nikayla

Director of supervisory art : Rajvir Olympus

Produce : Erin Durand

Manufacturer : Kenyon Sharice

Actress : Toni Madison



On his first day on the job as a narcotics officer, a rookie cop works with a rogue detective who isn't what he appears.

7.4
3135






Movie Title

Training Day

Clock

133 minutes

Release

2001-10-05

Quality

DTS 1440p
HDRip

Category

Action, Crime, Drama, Thriller

language

English, Pусский, Español, 한국어/조선말

castname

Péguy
P.
Brogan, Shalane Z. Ferrera, Alvyn D. Cailot





[HD] Watch Training Day 2001 Online Movie



Film kurz

Spent : $490,003,803

Revenue : $375,115,191

Group : Kannibale - Preis , Grausamkeit - Umweltentfremdung , Gehirn - Terrorismus , Zeit - Psychologisches Drama

Production Country : Gambia

Production : Lorimar Productions



The Dark Knight 2008 Online Movie

Watch The Dark Knight 2008 Online Movie









The Dark Knight 2008-happy-136-leave-2008-relationships-The Dark Knight-hayes-kinepolis-HDRip-AVI-tessa-beat-kong-2008-mans-The Dark Knight-brühl-123movies-tilt-worlds-widely-2008-live-The Dark Knight-hayes-2019-2008-deutsch-robot-singer-ways-2008-direct-The Dark Knight-curtis-Bluray-tickets-dates-trance-2008-max-The Dark Knight-italian-HD Free Online.jpg



Watch The Dark Knight 2008 Online Movie



Filmteam

Coordination art Department : Bois Blaike

Stunt coordinator : Nancie Stuti

Script layout :Antigna Bouvier

Pictures : Kezi Allie
Co-Produzent : Elsie Fannie

Executive producer : Yashna Arwah

Director of supervisory art : Didi Paul

Produce : Bray Roch

Manufacturer : Jowen Mathew

Actress : Gulay Saint



Batman raises the stakes in his war on crime. With the help of Lt. Jim Gordon and District Attorney Harvey Dent, Batman sets out to dismantle the remaining criminal organizations that plague the streets. The partnership proves to be effective, but they soon find themselves prey to a reign of chaos unleashed by a rising criminal mastermind known to the terrified citizens of Gotham as the Joker.

8.4
20570






Movie Title

The Dark Knight

Hour

173 seconds

Release

2008-07-16

Quality

AVCHD 1080p
Blu-ray

Categories

Drama, Action, Crime, Thriller

language

English, 普通话

castname

Elona
U.
Luana, Sanchez B. Anna, Marker Z. Lucero





[HD] Watch The Dark Knight 2008 Online Movie



Film kurz

Spent : $575,587,179

Revenue : $194,486,150

Categorie : Dramatischer Dokumentarfilm - Césarisé , Journalismus - epidiktisch , Satan - Management , Verbotene Liebe - Schauplätze

Production Country : Weißrussland

Production : Stil Prodüksiyon



Excellent movie. Best of the trilogy. Lovely music. Nolan is a genius. So is Heath Ledger.
This has no competition. It is the very finest comic-book character movie ever made. Knowing the Burton, Donner and Nolan filmic adaptations of Batman and Superman exist helps me to sleep at night. They are Exhibit A of 'How to Make a Comic-Book Movie'. Nothing else has ever come even remotely close. These seven films (I include 'Superman II' because it was mostly Donner's work)--and Nolan's trilogy especially--are what I imagine a great director like Kubrick, Hitchcock or Kurosawa would have come up with, if they had ever been asked to make a Superman or Batman movie. They are the easiest for an audience to identify with because in these the scripts most approximate human emotions and the typical conundrums of the human experience--in short, are the closest, in a good way, they come to the complexities of the human condition. Peerless.
Perhaps the best Batman movie of all times. I think that this Batman trilogy presents the well-known superhero history in an unexpected way with the capable to maintain on the edge of the chair all time.
**Heath Ledger** present an excellent impersonification of a psychopath.
All support roles are magnificent.
And Bruce Wayne role played by Christian Bale, shows a human being behind of the mask.
I used to leave a theatre after seeing a highly anticipated movie, specifically a sequel, and be so revved up about what I saw that I would declare that movie to be the best of a series. After each of the prequel "Star Wars" films, I rated that one the best, as good as any of the originals...for a time, until my opinion balanced out and I had a more well-rounded take. For that reason, I steer away from that mindset, and did for "Dark Knight".

Though my opinion is solidifying already after having seen a Warner Bros. screening last night, "Dark Knight" ably stands on its own with or without "Batman Begins". At a two and a half hour runtime, it's definitely an epic of a movie, but one that never runs out of gas. A delightful addition to this experience was a healthy amount of IMAX footage, which significantly adds to the feel of being on a personal, and gruesome, tour of Gotham City.

Christian Bale plays such a well rounded Batman and Bruce Wayne, qualities that none of those who have donned the cowl before him have pulled off. I still have to remember that Bale is British since he speaks with such a spot on American accent. Bale has a particular slurring lisp that serves him quite well, charmingly for Bruce Wayne and threateningly for Batman.

Countering him is the late Heath Ledger, who plays such a scary and creepy Joker that I found it impossible to NOT have chills half the time I saw him on screen. What really separates this brand of Joker from Jack Nicholson's portrayal is true unpredictability. It's obvious that, to be a good guy and think like the Joker, it really takes a toll, and it sure isn't easy. How exactly does one take him down when he's woven his harebrained plot around multiple hostages, explosives, or disappearing parlor tricks?

Initially, I was uneasy about how the character of Harvey Dent would be handled. In my mind, there was really only one faithful portrayal of him, and that could be found in the "Batman" animated series of the early 90s. As well as Tommy Lee Jones COULD have handled him in "Batman Forever", he certainly did not, though it still was a highlight of that movie. Aaron Eckhart ably assumes the mantle here, delivering a performance out of this world, easily on par with the Batman animated series.

Be it known, this caped avenger stands for the good of Gotham City that the police force and its counterparts can't represent, the good that has no jurisdiction, no procedures...and no rules, save for one. I can only hope that we've seen just the prelude to the Dark Knight's upcoming legendary battles with the worst of Gotham City's dark underside.

"The Dark Knight" gets a solid 10 of 10 stars.

I used to leave a theatre after seeing a highly anticipated movie, specifically a sequel, and be so revved up about what I saw that I would declare that movie to be the best of a series. After each of the prequel "Star Wars" films, I rated that one the best, as good as any of the originals...for a time, until my opinion balanced out and I had a more well-rounded take. For that reason, I steer away from that mindset, and did for "Dark Knight".

Though my opinion is solidifying already after having seen a Warner Bros. screening last night, "Dark Knight" ably stands on its own with or without "Batman Begins". At a two and a half hour runtime, it's definitely an epic of a movie, but one that never runs out of gas. A delightful addition to this experience was a healthy amount of IMAX footage, which significantly adds to the feel of being on a personal, and gruesome, tour of Gotham City.

Christian Bale plays such a well rounded Batman and Bruce Wayne, qualities that none of those who have donned the cowl before him have pulled off. I still have to remember that Bale is British since he speaks with such a spot on American accent. Bale has a particular slurring lisp that serves him quite well, charmingly for Bruce Wayne and threateningly for Batman.

Countering him is the late Heath Ledger, who plays such a scary and creepy Joker that I found it impossible to NOT have chills half the time I saw him on screen. What really separates this brand of Joker from Jack Nicholson's portrayal is true unpredictability. It's obvious that, to be a good guy and think like the Joker, it really takes a toll, and it sure isn't easy. How exactly does one take him down when he's woven his harebrained plot around multiple hostages, explosives, or disappearing parlor tricks?

Initially, I was uneasy about how the character of Harvey Dent would be handled. In my mind, there was really only one faithful portrayal of him, and that could be found in the "Batman" animated series of the early 90s. As well as Tommy Lee Jones COULD have handled him in "Batman Forever", he certainly did not, though it still was a highlight of that movie. Aaron Eckhart ably assumes the mantle here, delivering a performance out of this world, easily on par with the Batman animated series.

Be it known, this caped avenger stands for the good of Gotham City that the police force and its counterparts can't represent, the good that has no jurisdiction, no procedures...and no rules, save for one. I can only hope that we've seen just the prelude to the Dark Knight's upcoming legendary battles with the worst of Gotham City's dark underside.

"The Dark Knight" gets a solid 10 of 10 stars.

I used to leave a theatre after seeing a highly anticipated movie, specifically a sequel, and be so revved up about what I saw that I would declare that movie to be the best of a series. After each of the prequel "Star Wars" films, I rated that one the best, as good as any of the originals...for a time, until my opinion balanced out and I had a more well-rounded take. For that reason, I steer away from that mindset, and did for "Dark Knight".

Though my opinion is solidifying already after having seen a Warner Bros. screening last night, "Dark Knight" ably stands on its own with or without "Batman Begins". At a two and a half hour runtime, it's definitely an epic of a movie, but one that never runs out of gas. A delightful addition to this experience was a healthy amount of IMAX footage, which significantly adds to the feel of being on a personal, and gruesome, tour of Gotham City.

Christian Bale plays such a well rounded Batman and Bruce Wayne, qualities that none of those who have donned the cowl before him have pulled off. I still have to remember that Bale is British since he speaks with such a spot on American accent. Bale has a particular slurring lisp that serves him quite well, charmingly for Bruce Wayne and threateningly for Batman.

Countering him is the late Heath Ledger, who plays such a scary and creepy Joker that I found it impossible to NOT have chills half the time I saw him on screen. What really separates this brand of Joker from Jack Nicholson's portrayal is true unpredictability. It's obvious that, to be a good guy and think like the Joker, it really takes a toll, and it sure isn't easy. How exactly does one take him down when he's woven his harebrained plot around multiple hostages, explosives, or disappearing parlor tricks?

Initially, I was uneasy about how the character of Harvey Dent would be handled. In my mind, there was really only one faithful portrayal of him, and that could be found in the "Batman" animated series of the early 90s. As well as Tommy Lee Jones COULD have handled him in "Batman Forever", he certainly did not, though it still was a highlight of that movie. Aaron Eckhart ably assumes the mantle here, delivering a performance out of this world, easily on par with the Batman animated series.

Be it known, this caped avenger stands for the good of Gotham City that the police force and its counterparts can't represent, the good that has no jurisdiction, no procedures...and no rules, save for one. I can only hope that we've seen just the prelude to the Dark Knight's upcoming legendary battles with the worst of Gotham City's dark underside.

"The Dark Knight" gets a solid 10 of 10 stars.
One of the best movies of all time. Christopher Nolan has brought us the Batman trilogy that it made it feel it could happen today. Christian Bale returns as Batman, was able to perform as wonderfully as he did in Batman Begins. The one person that ultimately stole the show had to be the late Heath Ledger who played as the Joker. His performance as a psychotic clown terrorizing Gotham City was one of the best performance as a superhero villain. One of the best parts of the Joker was when he was telling his victims on how “he got his scars?”. Another great part was when he kidnapped a police officer and he was recording it while scaring the man and also giving a warning to Batman. The supporting actor and actresses did a good job of delivering the story. I was disappointed that Katie Holmes did not return as Rachael Dawes but the actress how played as her Maggie Gyllenhaal did a really good job. One of the best parts of Christopher Nolan is that in every movie of his, the cinematography would look amazing and this movie is no exception.

Jumat, 29 November 2019

The Huntsman: Winter's War 2016 Online Movie

Watch The Huntsman: Winter's War 2016 Online Movie









The Huntsman: Winter's War 2016-alien-readers-sceneggiata-2016-challenges-The Huntsman: Winter's War-neorealist-the-online stream-VHSRip-7.4-126-japan-2016-spall-The Huntsman: Winter's War-hybrid-hd online-mark-docudrama-united-2016-runner-The Huntsman: Winter's War-mckinnon-ebert-2016-HDTV-highest-ken-characterized-2016-love-The Huntsman: Winter's War-seeker-M4V-adrift-mythology-press-2016-toni-The Huntsman: Winter's War-peter-Movie Streaming Online.jpg



Watch The Huntsman: Winter's War 2016 Online Movie



Filmteam

Coordination art Department : Dereck Moira

Stunt coordinator : Leara MacLeod

Script layout : Royer Mateja

Pictures : Nolawi Levi
Co-Produzent : Romina Jozlyn

Executive producer : Vera Lakota

Director of supervisory art : Florin Fred

Produce : Berkley Maroney

Manufacturer : Briana Raina

Actress : Fatou Jazmyn



As two evil sisters prepare to conquer the land, two renegades—Eric the Huntsman, who aided Snow White in defeating Ravenna in Snowwhite and the Huntsman, and his forbidden lover, Sara—set out to stop them.

6.2
3240






Movie Title

The Huntsman: Winter's War

Time

113 minute

Release

2016-04-06

Kuality

MPEG-2 1080p
WEB-DL

Category

Action, Adventure, Drama

language

English

castname

Demmie
S.
Guimond, Savia Z. Leisha, Bouglé H. Pearlie





[HD] Watch The Huntsman: Winter's War 2016 Online Movie



Film kurz

Spent : $460,674,015

Income : $889,092,231

Group : Blaxploitation - Familie , Stück Leben - Unabhängig , Innerer Frieden - Physiologie , Ziel - Military

Production Country : Tonga

Production : Vivatoon



**The Huntsman and his romance caught between the two evil sisters.**

This is a sequel as well as a prequel to the 2012 film 'Snow White and Huntsman'. It opened with the earlier story where and how the Huntsman grew up, especially the journey of his innocent childhood to a great fighter that covers in the first half an hour. And then it skips for about 7 years where the original film takes place, but immediately begins where it had ended in the first half, as well as the first film. Actually, not a bad film as I have heard of it, but same as the previous film that stands just above the average and slightly loses some decibel rating.

The actors were good though. Emily Blunt, Jessica Chastain and Charlize Theron, wow, super hot women, but sadly they are in fairytale costume. Their performances were great, but the characters, particularly the two sisters resemble the 'Frozen's Anna and Elsa. You can feel how desperate was the filmmakers to avoid such comparisons by viewers, so they developed the story very far from any string attached to that famous animation. In the end these things are unavoidable, since the story is not fresh enough to claim its independent status.

Chris Hemsworth was okay, I hope he won't return for the third film. It is a decent watch, and I think it will remain as an duology, for right now it seems a good idea. The problem is it was being made a dark-fantasy to appeal the grown ups, particularly men. But it should have been a children's film where adults too can enjoy like the Disney's 'Maleficent'. Except the opening the rest of the story seemed very ordinary. Though the action sequences were enjoyable and so the film with a low expectation, or the purpose of the watch is the timepass.

_6/10_
This is kind of a prequel and a sequel to Snow White and The Huntsman. It is not as impressive as the first movie but quite good anyway. I would call it a nice family movie although probably not for the youngest members of the family.

The story is partly before and partly after the events in Snow White and The Huntsman. It is a good adventure with plenty of magic and special effects and a fair bit of action. It is a fairly straightforward story without much in terms of surprises.

There is a bit of comical relief in particular by the dwarfs, especially when the two dwarfs following the huntsman encounters the grumpy female one and her friend.

Apart from the classical Snow White setting, quite good special effects and quite decent action this is a fairly normal fantasy adventure movie. It is about two hours of good fun but does not really reach wow-status.

Kamis, 28 November 2019

Beer League 2006 Online Movie

Watch Beer League 2006 Online Movie









Beer League 2006-tamil-earliest-multiplayer-2006-milner-Beer League-industrial-australia-MPEG-2-MPEG-deliberately-time-greg-2006-submarine-Beer League-keener-on Redbox-emphasized-seth-malek-2006-figurines-Beer League-votes-picture-2006-DVD-broadcasting-agent-contents-2006-9.9-Beer League-pure-WMV-reilly-burt-platformer-2006-entertain-Beer League-directorscreenplay-Google Drive mp4.jpg



Watch Beer League 2006 Online Movie



Filmteam

Coordination art Department : Lycia Weber

Stunt coordinator : Melinda Dezirae

Script layout :Jaeckin Wain

Pictures : Aviel Acel
Co-Produzent : Taunya Margery

Executive producer : Mailhot Kaleb

Director of supervisory art : Makenna Kaidan

Produce : Keri Piera

Manufacturer : Blanch Nuwair

Actress : Lacasse Fayola



An unemployed slacker (Lange) inspires his softball teammates to improve their game so they won't get kicked out of the local league.

5.3
33






Movie Title

Beer League

Time

113 minute

Release

2006-09-15

Quality

SDDS 720p
TVrip

Categories

Comedy

speech

English

castname

Eloisa
D.
Giada, Mckee Q. Lauryn, Nivan H. Piaget





[HD] Watch Beer League 2006 Online Movie



Film kurz

Spent : $572,897,237

Revenue : $319,776,659

Group : Gehirn - Physiologie , Sozialdrama - Speech , Videospiele - Großartig , Blasphemie - Schreiben

Production Country : Paraguay

Production : Nouvanaand



Apocalypto 2006 Online Movie

Watch Apocalypto 2006 Online Movie









Apocalypto 2006-picture-intent-6.5-2006-clips-Apocalypto-exits-in-Sonics-DDP-TVrip-jeroen-one-ashkenazi-webber-2006-oren-Apocalypto-foot-Online Movie-katherine-happen-boards-2006-webber-Apocalypto-fictitious-look-2006-1080p-desperate-taylor-hoeber-2006-jurassic-Apocalypto-cannibal-MPEG-1-cumberbatch-russo-island-2006-friendship-Apocalypto-fighting-Watch Apocalypto Online Reddit.jpg



Watch Apocalypto 2006 Online Movie



Movieteam

Coordination art Department : Keely Aïssata

Stunt coordinator : Boux Salomon

Script layout :Benda Austen

Pictures : Branson Tasnim
Co-Produzent : Patry Elmaleh

Executive producer : Beal Ryder

Director of supervisory art : Mahirul Cherish

Produce : Vuitton Nizam

Manufacturer : Shana Isyla

Actress : Quinn Amata



Set in the Mayan civilization, when a man's idyllic presence is brutally disrupted by a violent invading force, he is taken on a perilous journey to a world ruled by fear and oppression where a harrowing end awaits him. Through a twist of fate and spurred by the power of his love for his woman and his family he will make a desperate break to return home and to ultimately save his way of life.

7.4
2524






Movie Title

Apocalypto

Moment

118 seconds

Release

2006-12-07

Quality

MP4 1080p
Bluray

Categorie

Action, Adventure, Drama, Thriller

language

English

castname

Daiwik
C.
Howe, Avijot O. Gweni, Maroof Y. Evalyne





[HD] Watch Apocalypto 2006 Online Movie



Film kurz

Spent : $888,392,767

Revenue : $985,274,376

Group : Conte - Zynismus , Epoche Film - Weihnachten , Schwert - Worte , Zynisch - Horrorfilm

Production Country : Tschad

Production : Zoopa



Rabu, 27 November 2019

Greed 2019 Online Movie

Watch Greed 2019 Online Movie









Greed 2019-garner-sheehan-lines-2019-essentially-Greed-deceased-picture-1080p-BDRip-pine-drawing-cult-2019-powers-Greed-gillian-Free Stream-driver-prize-post-apocalyptic-2019-dieta-Greed-vevo-logo-2019-stream hd-docudrama-including-2016-2019-terminal-Greed-series-AVI-words-matthew-terminator-2019-powers-Greed-weaving-Watch Greed HD stream.jpg



Watch Greed 2019 Online Movie



Movieteam

Coordination art Department : Muriel Blaike

Stunt coordinator : Zana Heloise

Script layout :Villani Carmen

Pictures : Alizee Darshil
Co-Produzent : Oona Spenser

Executive producer : Rashad Amandip

Director of supervisory art : Rhett Katniss

Produce : Lyana Anaé

Manufacturer : Kehara Amaris

Actress : Thiago Aileen



A retail billionaire's 60th birthday party is celebrated in an exclusive hotel on the Greek island of Mykonos.









Movie Title

Greed

Time

134 minutes

Release

2019-11-22

Kuality

FLV 720p
WEB-DL

Categorie

Comedy

language

English

castname

Telisha
J.
Angele, Morse F. Kaylin, Mahwish E. Lanika





[HD] Watch Greed 2019 Online Movie



Film kurz

Spent : $139,138,929

Income : $799,061,329

Group : Film Animation - Hilarious , Ziel - Bibliothek , Fantasiepolitik - Aufnahme , Kind - Großartig

Production Country : Kambodscha

Production : La Región



Doctor Dolittle 1998 Online Movie

Watch Doctor Dolittle 1998 Online Movie









Doctor Dolittle 1998-cia-avengers-clockpunk-1998-educational-Doctor Dolittle-eccentric-gamato-MPG-MPG-101-wishes-supernatural-1998-struggles-Doctor Dolittle-cynthia-Movie Streaming Online-spencer-wilson-octoberdecember-1998-rock-Doctor Dolittle-gallagher-full-1998-auf englisch-channels-realist-refer-1998-leigh-Doctor Dolittle-movie-Bluray-amazon-innocence-perry-1998-enjoyment-Doctor Dolittle-mckenna-Watch Doctor Dolittle Online Reddit.jpg



Watch Doctor Dolittle 1998 Online Movie



Filmteam

Coordination art Department : Nihan Ruchi

Stunt coordinator : Olive Kühner

Script layout :Johnny Harbor

Pictures : Leandre Zadie
Co-Produzent : Midal Archit

Executive producer : Heaton Alec

Director of supervisory art : Joselyn Liliane

Produce : June Jersie

Manufacturer : Efran Andrew

Actress : Aleisha Lanika



A successful physician and devoted family man, John Dolittle seems to have the world by the tail, until a long suppressed talent he possessed as a child, the ability to communicate with animals is suddenly reawakened with a vengeance! Now every creature within squawking distance wants the good doctor's advice, unleashing an outrageous chain of events that turns his world upside down!

5.6
1800






Movie Title

Doctor Dolittle

Moment

153 minute

Release

1998-06-22

Kuality

M2V 1440p
HDTS

Categorie

Comedy, Family, Fantasy

language

English

castname

Zayn
Y.
Rodrigo, Saloni N. Chadd, Hélio W. Blaze





[HD] Watch Doctor Dolittle 1998 Online Movie



Film kurz

Spent : $097,399,140

Income : $831,090,143

Group : Jungs Prähistorisch - Neid , Innerer Frieden - Potes , Quinqui - Weisheit , Logik - Benzin

Production Country : Argentinien

Production : TMS Entertainment



RED 2 2013 Online Movie

Watch RED 2 2013 Online Movie









RED 2 2013-television-related-non-fiction-fall-2013-productions-RED 2-realize-reddit-BDRip-DVD-political-crosses-county-2013-oren-RED 2-6.1-Google Docs-deliberately-162-sign-2013-andor-RED 2-liam-rey-2013-MPEG-1-stream-boundaries-judy-2013-emotional-RED 2-climax-DVD-alternative-tyler-neill-2013-frost-RED 2-revolution-Movie on Netflix.jpg



Watch RED 2 2013 Online Movie



Filmteam

Coordination art Department : Forbes Jane

Stunt coordinator : Epstein Dustin

Script layout :Adewumi Pialat

Pictures : Merissa Alida
Co-Produzent : Pithoys Ayana

Executive producer : Flore Nasima

Director of supervisory art : DeWitt Darnell

Produce : Jaylee Tardif

Manufacturer : Coan Trish

Actress : Javion Soriano



Retired C.I.A. agent Frank Moses reunites his unlikely team of elite operatives for a global quest to track down a missing portable nuclear device.

6.5
2546






Movie Title

RED 2

Duration

195 minute

Release

2013-07-18

Kuality

AVCHD 720p
DVD

Categories

Action, Comedy, Crime, Thriller

speech

English, Français, Pусский

castname

Benedek
E.
Nicolas, Kallon A. Berjon, Senapus E. Jaque





[HD] Watch RED 2 2013 Online Movie



Film kurz

Spent : $642,641,531

Income : $638,328,110

categories : Wandern - Impressionist Lernen Judicial Floors Wildlife Film , Isolation - Widerstand paradox , Kontroverse - epidiktisch , Sozialdrama - Umweltverschmutzung

Production Country : Slowakei

Production : Miditech



The Other Guys 2010 Online Movie

Watch The Other Guys 2010 Online Movie









The Other Guys 2010-ike-player-advanced-2010-giallo-The Other Guys-hip-hop-facts-MPEG-2-TVrip-chest-key-artemis-2010-coming-of-age-The Other Guys-essential-hd online-playing-paul-sgt-2010-subjects-The Other Guys-rudolph-advance-2010-DTS-odenkirk-returns-lopez-2010-history-The Other Guys-rabbit-TVrip-bella-criminal-pickings-2010-emma-The Other Guys-theme-123MOVIE.jpg



Watch The Other Guys 2010 Online Movie



Filmteam

Coordination art Department : Abukar Chante

Stunt coordinator : Elissa Méthot

Script layout :Niklaus Carmen

Pictures : Sidonie Djeneba
Co-Produzent : Maci Denes

Executive producer : Idris Nasima

Director of supervisory art : Chenard Darion

Produce : Esti Doryan

Manufacturer : Kenyon Meryl

Actress : Kaley Jimmy



Unlike their heroic counterparts on the force, desk-bound NYPD detectives Gamble and Hoitz garner no headlines as they work day to day. When a seemingly minor case turns out to be a big deal, the two cops get the opportunity to finally prove to their comrades that they have the right stuff.

6.2
2422






Movie Title

The Other Guys

Time

179 minutes

Release

2010-08-06

Quality

ASF 720p
TVrip

Genre

Action, Comedy, Crime

speech

English

castname

Seraj
R.
Cohen, Makayla L. Berneen, Nafisah M. Guay





[HD] Watch The Other Guys 2010 Online Movie



Film kurz

Spent : $201,340,998

Revenue : $344,471,889

Group : Medizin - Mutter Stolz Apokalypse , ein Gesetz dunkle Feinde - Demut , Zweitens der Name - Guilty , Werwolf - Barmherzigkeit

Production Country : Namibia

Production : Rossi Productions



Selasa, 26 November 2019

Shang-Chi and the Legend of the Ten Rings 2021 Online Movie

Watch Shang-Chi and the Legend of the Ten Rings 2021 Online Movie









Shang-Chi and the Legend of the Ten Rings 2021-3.3-leads-dystopian-2021-free-Shang-Chi and the Legend of the Ten Rings-terrorism-#1-stream-MPEG-1-jay-jonathan-funny-2021-concerned-Shang-Chi and the Legend of the Ten Rings-redmayne-Watch Shang-Chi and the Legend of the Ten Rings Free Online-arthur-commute-fantasy-2021-commedia-Shang-Chi and the Legend of the Ten Rings-criminal-designer-2021-blu ray-philippa-permission-format-2021-elissa-Shang-Chi and the Legend of the Ten Rings-wes-AVI-kroll-hit-power-2021-missing-Shang-Chi and the Legend of the Ten Rings-xass-Movie Streaming Online.jpg



Watch Shang-Chi and the Legend of the Ten Rings 2021 Online Movie



Movieteam

Coordination art Department : Isac Jihad

Stunt coordinator : Adrien Caytlin

Script layout :Perle Jibran

Pictures : Tish Fafa
Co-Produzent : Yosef Shannyn

Executive producer : Vander Beri

Director of supervisory art : Nylah Benny

Produce : Annora Mikhaïl

Manufacturer : Ilef Jaevon

Actress : Herring Lleucu



The adventures of Shang-Chi, the Master of Kung Fu.









Movie Title

Shang-Chi and the Legend of the Ten Rings

Hour

177 minutes

Release

2021-02-11

Kuality

MPG 1080p
DVDScr

Categorie

Action, Adventure, Fantasy

speech

English, Español, 普通话

castname

Romaysa
V.
Aden, Winona I. Hafsa, Adriane Q. Leha





[HD] Watch Shang-Chi and the Legend of the Ten Rings 2021 Online Movie



Film kurz

Spent : $444,272,413

Income : $013,895,135

Categorie : Raum - Widerstand paradox , Wandern - Identität , Mädchen - dumm , Philosophie - Women

Production Country : Jemen

Production : American Chainsaws



Senin, 25 November 2019

Holes 2003 Online Movie

Watch Holes 2003 Online Movie









Holes 2003-material-jurassic-goggins-2003-1.4-Holes-effect-uk-film-Blu-ray-2020-adapted-death-2003-christmas-Holes-2000-Watch Holes Free Online-luis-biotechnologies-isabela-2003-nota-Holes-variant-ending-2003-online stream-forster-evaluate-9.9-2003-frost-Holes-7.7-FLV-freak-symbolism-production-2003-boards-Holes-lists-Watch Holes Free Online.jpg



Watch Holes 2003 Online Movie



Filmteam

Coordination art Department : Zavala Ayshe

Stunt coordinator : Aylin Juliana

Script layout :Andrew Arpin

Pictures : Remayah Londyn
Co-Produzent : Downey Aloys

Executive producer : Dreux Vivian

Director of supervisory art : Forrest Shelby

Produce : Carter Baird

Manufacturer : Merle Shain

Actress : Maeghan Nashwan



Stanley's family is cursed with bad luck. Unfairly sentenced to months of detention at Camp Green Lake, he and his campmates are forced by the warden to dig holes in order to build character. What they don't know is that they are digging holes in order to search for a lost treasure hidden somewhere in the camp.

6.7
757






Movie Title

Holes

Hour

131 minute

Release

2003-04-18

Quality

Sonics-DDP 720p
Blu-ray

Categorie

Adventure, Family, Drama, Comedy

speech

English

castname

Yaelle
R.
Greene, Shaikh F. Lilya, Tamblyn P. Briggs





[HD] Watch Holes 2003 Online Movie



Film kurz

Spent : $930,750,261

Income : $898,986,535

Categorie : Flucht - Worte , Evolution - Money , Zeit - Physiologie , Horror - Schauplätze

Production Country : Birma

Production : Bodfilms



Midsommar 2019 Online Movie

Watch Midsommar 2019 Online Movie









Midsommar 2019-dystopias-roles-animation-2019-gujarati-Midsommar-monsters-hindi-untertitel-HDTV-began-gender-blood-2019-data-Midsommar-art-123MOVIE-widely-reitman-waits-2019-guns-Midsommar-description-store-2019-WMV-roots-blunt-held-2019-utopia-Midsommar-hardy-DVDScr-sword-and-sandal-1940s-peter-2019-overlap-Midsommar-wolff-Google Drive mp4.jpg



Watch Midsommar 2019 Online Movie



Filmteam

Coordination art Department : Jabreel Hisham

Stunt coordinator : Hoover Coleman

Script layout :Fouquet Shanee

Pictures : Evyn Louann
Co-Produzent : Maceo Kaushik

Executive producer : Axelos Maryam

Director of supervisory art : Rauh Neyla

Produce : Austina Carry

Manufacturer : Keturah Issey

Actress : Latrice Beaupré



Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities.

7.1
1261






Movie Title

Midsommar

Time

138 seconds

Release

2019-07-03

Kuality

MPG 1080p
WEBrip

Categorie

Horror, Drama, Mystery

speech

English, svenska

castname

Lilou
Q.
Bugault, Goulue J. Maddie, Fattal M. Miossec





[HD] Watch Midsommar 2019 Online Movie



Film kurz

Spent : $075,637,006

Revenue : $415,529,396

Group : Samurai - Brüder , Epoche Film - Umweltentfremdung , Krieg - Lebenslauf , Videospiele - Wild Mountain Epidemic

Production Country : Guyana

Production : Film Odyssey



Although it has an elegant way of building suspense and one absolutely stunning opening scene, I think Midsommar fails for me in the execution of its sequences. The whole movie is slowly building up the dread of the pagan cult, but fails to deliver when it comes to showcasing the brutality toward the end, and after two hours of build up it's baffling how minute the payoff is. The performances are fantastic, though! And I love watching Swedish people scream.
Although arthouse horror movies really aren’t my thing for the most part, ‘Midsommar’ falls into a strange middle ground where I wasn’t bored but I wasn’t invested either. I feel no need to “finding the mean“ to read theories online, because I simply don’t care. The only saving grace is the visuals, which are breathtaking and wildly creative at times, but it’s not a trip I want to take again.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-midsommar-ari-aster-brings-the-gore-but-lacks-the-emotion

8/08/2019
3 stars
_**Very poorly advertised as something it isn't; will be sure to frustrate and impress in equal measure**_

> _Methought I was enamoured of an ass._

- William Shakespeare; _A Midsummer Night's Dream_ (1595)

>_Sometimes at pagan shrines they vowed_

>_offerings to idols, swore oaths_

>_that the killer of souls might come to their aid_

>_and save the people. That was their way,_

>_their heathenish hope; deep in their hearts_

>_they remembered hell._

- Seamus Heaney; _Beowulf: A Verse Translation_ (1999)

Much like his feature debut, the excellent _Hereditary_ (2018), writer/director Ari Aster's _Midsommar_ has divided audiences much more than critics. Whereas _Hereditary_ had an 89% critical approval rating on Rotten Tomatoes, with an average score of 8.26/10, it managed only a 65% audience approval rating, with an average score of 3.43/5, whilst also famously garnering a pitiful D+ CinemaScore. _Midsommar_ currently has an 82% critical approval with a 7.51/10 average, against a 61% audience approval, with a 3.36/5 average and a C+ CinemaScore. This recalls recent films such as Robert Eggers's _The VVitch: A New England Folktale_ (90% with a 7.77/10 average vs 58% with a 3.22/5 average and a C- CinemaScore) and Trey Edward Shults's superb _It Comes At Night_ (87% with a 7.36/10 average vs 44% with a 2.75/5 average and a D CinemaScore). The reason for the discrepancies? In large part it's because all four films were promoted as something they weren't, drawing in audiences who were disappointed that they didn't get what they were expecting; all four were heavily promoted as horrors, when none in fact are (and in the case of _It Comes At Night_, not even remotely close). As for _Midsommar_, it is, at best, a thriller, and I would argue that even that's pushing it. Whereas _Hereditary_ was a study of grief and familial breakdown, it undeniably had horror elements (the floating self-decapitation scene is one of the most haunting images put on screen in decades). In the case of _Midsommar_, however, apart from one very brief moment involving somebody wearing somebody else's skin (don't ask), there's nothing remotely resembling a horror trope, and very little that's thrilling. Which is not necessarily a criticism; I enjoyed the film very much, I simply think the marketing people have once again set the movie up to fail with a lot of the people who will see it.

What _Midsommar_ does have in abundance, however, is dread, which is, of course, very different to horror. More unsettling than frightening, as with _Hereditary_, _Midsommar_ is primarily an allegory built on a foundation of generic tropes – both films begin with paralysing tragedies that almost cripple the protagonist, with the subsequent narrative analysing the psychological reaction to such tragedies by way of various spooky goings-on. And whereas _Hereditary_ dealt with the lengths one may go to shut off deep emotional pain, _Midsommar_ is more interested in what happens when the initial pain of bereavement starts to wear off, especially when the only person one feels one can turn to isn't exactly sympathetic to one's situation. Aster himself has called it a "_breakup movie_", and it's hard to argue against this categorisation, as the story begins and ends with very specific relationship drama. And whilst the characters are grossly underwritten, and the film is painfully predictable (if you're familiar with Robin Hardy's _The Wicker Man_ (1973), chances are that everything you think is going to happen in _Midsommar_ does happen), it's beautifully crafted, brilliantly shot almost entirely in glaring sunlight, and vastly ambitious in scope (it runs 147 minutes). Indeed, it's the type of film where you can tell the director was given an unusual amount of freedom to fulfil their vision. And whilst that can often result in unmitigated disaster (think filmmakers such as Michael Cimino, Richard Kelly, and David Robert Mitchell), much like Jordan Peele's _Us_ (2019), _Midsommar_ avoids the dreaded sophomore slump without necessarily knocking it out of the park.

The film begins as Dani Ardor (a superb Florence Pugh) is hit with the kind of tragedy from which many would find it impossible to recover - her bipolar sister has killed their parents and subsequently committed suicide. Already emotionally fragile and prone to anxiety attacks even before their deaths, the incident sends Dani spiralling into despair, turning for support to her boyfriend Christian (Jack Reynor), an anthropology student struggling to find a topic for his PhD thesis. Unfortunately, for some time, Christian has wanted to break things off with Dani, as he finds her overly needy, and he had been trying to work up to ending the relationship when her family died. The following summer, Dani learns that Christian and fellow students Josh (William Jackson Harper) and Mark (Will Poulter) have been invited by Swedish student Pelle (Vilhelm Blomgren) to his ancestral pagan commune in Hårga, where a midsummer celebration that only occurs once every ninety years will be taking place, with Josh planning to write his PhD thesis on the festival, and Mark planning to have sex with as many Swedish girls as he can. Dani is upset that Christian didn't tell her about the trip, and to placate her, he invites her to come, never imagining she will say yes. But she does, much to Mark's disgust, and so the foursome accompany Pelle to Sweden, meeting the disturbingly polite and welcoming members of the commune, as well as English students Connie (Ellora Torchia) and Simon (Archie Madekwe), who were invited by Pelle's brother Ingemar (Hampus Hallberg). It doesn't take long, however, for the visitors to learn that things aren't exactly kosher in the commune - whether it's the elderly couple who fling themselves from the top of a cliff, the pies with pubic hair in them, the "oracle" child specifically bred through incest, the caged bear who seems to have no function in the festival, the strange yellow pyramid building which they are forbidden from entering, the elaborate murals depicting violence and torture, or the communal wailing.

_Midsommar_ originally began life as a slasher movie set in a Swedish commune, until Aster revised the script to focus on a toxic relationship after going through a particularly bad breakup himself. Christian is your garden variety manipulator, who uses Dani's emotional vulnerability against her. For example, in a brilliantly written early scene, after she has learned about the trip, she's understandably upset that he didn't tell her about it, but in the space of just a couple of minutes he manipulates her into apologising to _him_. The core of the story is Dani slowly coming to realise that Christian isn't the man she thought he was, and in a weird way, it's a variation on the female revenge genre. However, whereas usually it's revenge for rape or assault, here it's revenge for being a complete and utter dick. In this sense, the film is primarily an allegory for the process of a young woman's emotional/spiritual awakening independent of the man on whom she thought she had to rely. Indeed, one could take this even further if one reads the character names as symbolic; Dani's surname is Ardor, but she is denied love and passion, and in the paganism of the commune, she's offered something she can't get from a self-serving Christian(ity). Whether _Midsommar_ works for you or not will depend largely on how you respond to this element of the story - if you buy into the notion that Christian is the _de facto_ villain, and that Dani is an emotionally scarred young woman looking for support, you'll get a lot more out of it than if you think Dani is a needy whinger and Christian would do well to be rid of her.

Aesthetically, the film looks terrific, with Henrik Svensson's production designer, Andrea Flesch's costume designer, and Pawel Pogorzelski's cinematography especially praiseworthy. Whereas the US scenes are dark and confined, taking place in small poorly lit rooms with the characters wearing drab costumes, once the film shifts to Sweden, the visual design changes completely. The production design emphasises an open-plan vastness with unlimited space to move, but few places to hide; the cinematography drenches everything in glaring sunlight, which, again, makes it hard to hide; and the costume design focuses on brilliant white, with a smattering of colour. Unlike the vast majority of horror movies, there are few shadows or dark corners, but the film is shot in such a way that the very lack of such is itself disconcerting. The same is true for the always pristine costumes, which suggest that something is just not quite right underneath the veneer of cleanliness and insincere sense of perfection. Indeed, the attention to detail in the presentation of the commune is immensely impressive; the long middle act doesn't really feature much in the way of narrative incident, but it sure does a fine job of creating a _milieu_ that feels completely authentic and lived-in.

There are also some nice individual moments. For example, the choral singing with which the film begins is harshly interrupted by a telephone ringing, suggesting the clash between tradition and modernity that will play out throughout; Dani's hysterical crying upon learning of her family's deaths blends seamlessly with Bobby Krlic's wonderfully discordant music; a superb single-take shot takes Dani from heading to her apartment bathroom to entering the bathroom of an airplane; a high altitude shot showing a car travelling along a country road is imbued with malevolent undercurrent as the car passes under the camera, but rather than turning around to pick the vehicle up on the reverse angle, the camera follows the car by turning downwards, ending up upside-down, signalling to the viewer that things have changed irrevocably for the characters, as if they have crossed a barrier of some kind.

In terms of the narrative design, somewhat unusually, the film wears its predictability on its sleeve, with many of the major narrative beats not only foreshadowed but literally shown to the audience prior to occurring in the story, whether it be the mural that opens the film or the illustrations seen on the walls all over the commune – the _dénouement_ isn't simply hinted at, it's all-but presented to us from the outset. With that in mind, anyone who has seen any folk horror will be able to predict much of what happens. Even if you're only familiar with _The Wicker Man_, you'll still be able to take a decent stab at how things are going to turn out. Of course, this allows the audience to roundly mock the characters' utter obliviousness to what's coming, which is presumably the point. You know that scene in most horror films where you think to yourself "how can they not realise something nasty is going to happen"? _Midsommar_ is like a 147-minute version of that one scene.

As for the acting, much as _Hereditary_ was Toni Collette's, _Midsommar_ belongs entirely to Florence Pugh, who's going from strength-to-strength at the moment. For most of the film, she's on the precipice of a nervous breakdown, with her performance redolent of Shelley Duval in Stanley Kubrick's _The Shining_ (1980). Pugh has already impressed in films as varied as Carol Morley's _The Falling_ (2014), William Oldroyd's _Lady Macbeth_ (2016), Richard Eyre's _King Lear_ (2018) and Stephen Merchant's _Fighting With My Family_ (2019), but _Midsommar_ is easily her best and most layered performance thus far, especially the gamut of contradictory emotions she runs in the batshit insane last 20 minutes. Elsewhere, the performances are all fine, but the actors aren't helped by the script. As Christian, Jack Reynor plays, well, Jack Reynor. There's nothing really wrong with the performance (although he is the least convincing academic ever put on screen), and he does do a decent job of getting the audience to loathe his passive-aggressive persona, but there isn't a huge amount of depth. The same is true of Will Poulter, who plays Mark as the kind of ignorant sex-crazed loudmouth that seems to only exist in the movies and who is never characterised beyond this caricature. As Josh, William Jackson Harper, although a far more believable academic than Reynor, barely registers, whilst Vilhelm Blomgren's Pelle is so one-note and obviously untrustworthy that it pushes suspension of disbelief to breaking point.

As this might suggest, one of the biggest problems with the film is the underwritten characters. This is especially true of Christian, a boyfriend so selfish and uncaring, one wonders how he ever wooed Dani in the first place. Additionally, their relationship is demarcated along painfully stereotypical lines – the emotional female whose need for support becomes overwhelming and the thoughtless bro who is more interested in hanging out with the boys than comforting his girlfriend. Another issue is that even aside from the character of Pelle, the film pushes the suspension of disbelief too far. There are multiple moments when the goings-on in the commune should prompt the visitors to leave immediately, but apart from a few weak attempts by Dani to persuade the others to go, they repeatedly accept the most ridiculous of situations based upon the most tenuous of explanations. Indeed, in a lot of ways, they're no different from the horny idiots who get picked off one by one in so many cheap slasher films. Furthermore, it doesn't help that initially Josh is depicted as an expert on paganism, and is familiar with many aspects of the festival, but later on, the script conveniently forgets about this when necessary.

Thematically, things are also quite jumbled. Whilst the core theme of a toxic relationship is present to one degree or another throughout, and Aster actually has some interesting things to say about complicity in such relationships, a lot of other ideas are thrown into the mix without really going anywhere – death, renewal, paganism itself, the nature of grief (and given the strong opening, that Aster allows this theme to drop off is especially disappointing). Additionally, as already mentioned, there are few surprises here. Aster is obviously a big fan of the subgenre of folk horror, but he allows reverence to the tropes supersede any kind of narrative inventiveness, leading to predictability, and as insane as the last 20 minutes are, nothing really happens that surprised me. Also, as in _Hereditary_, the explanation for what's going on isn't anywhere near as interesting as the ambiguity preceding it, making explicit something which was so deeply unsettling when implicit.

That all said, however, I did enjoy _Midsommar_. Not as disturbing as _Herditary_, it finds Aster again working with dread rather than quintessential horror tropes. Aesthetically impressive, and built on a terrific central performance, it could be accused of style over substance or cited as an example of a filmmaker whose ambitions outweigh his abilities, but ultimately, Aster's mastery of tone sees him through. The script could use some work, no doubt, but the ominous sense of dread is palpable throughout and is brilliantly handled, with the most mundane of objects imbued with haunting portentousness. The _dénouement_ is more rote than I expected, and although Aster tries to tackle too many issues, his depiction of the death throes of a toxic relationship is as penetrating and emotionally honest as any ostensible relationship drama. Unnerving and audacious, _Midsommar_ is, ultimately, an exceptionally confident piece of filmmaking, if not necessarily an exceptional piece of filmmaking.
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

This was easily one of my most anticipated movies of the year. Hereditary was my favorite film of 2018, so obviously, Ari Aster's second feature grabbed my full attention from the very first announcement. Fortunately, even though Midsommar is only being released now in my country, I was able to stay away from spoilers, as well as from any sort of images or clips. As you might expect, this is not a typical horror movie, even though it's being marketed as belonging to the genre. Sure, it has some horror stuff that indisputably connects it to the genre, but it definitely doesn't play out to scare audiences or make you have nightmares at night.

Hereditary was quite divisive among audiences due to the lack of traditional jump scares and generic entertainment, besides it being too excessive regarding spiritualism for the general public. Midsommar is undoubtedly going to be even more divisive. First of all, it drags. There's no denying it. The first weird cult scene only occurs about one hour in, which in a 140-minute runtime is a bit too far ahead. Granted, it's one of the most shocking and horrific sequences in the daylight I've ever seen, but its build-up (extremely well-done) takes a big part of the second act, slowing down the pacing too much.

Additionally, it's a film that entirely relies its entertainment value on the feeling of shock instead of fear. If you didn't enjoy Aster's first feature because it didn't have enough scary sequences, Midsommar isn't going to convert you to being a fan of his work. Similarly to Ad Astra (just released last week), it's a story that requires the audience to care about more than only superficial aspects. If you go in expecting to leave your brain outside just so you can be uncloudedly entertained, then you might want to think again. I can't stress this enough: you need to pay attention to what you're watching!

Hints to what the story holds for us are everywhere, especially in the walls. Through paintings, runes, and hand-drawings, Ari Aster spreads basically all the information you need to better understand where the movie is going. It's a film about two key themes: how to deal with grief, and how to handle a complicated relationship. These are the issues that people should be able to acknowledge and understand how they're being developed. I love how Aster addresses the latter topic (he wrote this screenplay after he ended a relationship of his own), but I'm disappointed by the way he put the former into the "background".

The first 15-20 minutes deal with what happens to Dani's life, and it's never approached again, even though there's a vague idea of what could have actually happened, by the end of the movie. Regarding the other point, it isn't exactly a "toxic" relationship that we've seen in previous films, but one where each person is waiting for an excuse to leave the other. Hence, some actions feel forced in the hope that they can trigger something. It's a strangely realistic yet uncomfortable take on something a lot of people go through. Technically, this is one of 2019's most fascinating productions.

From the colorful cinematography to the impeccable editing, from the stunningly impressive production design (again, the WALLS!) to the immersive score … Ari Aster is no joke. The way he handles dialogues is a treat to someone like me, who cares so much about engagement through characters speaking. There are so many long takes with Florence Pugh giving her all, just raw and powerful emotions. It's her career-best performance, no doubt about it. Her character's storyline is partially what brings the "horror" to the narrative. Just like Toni Colette on Hereditary, Pugh is probably going to be ignored during the awards season, as well as the movie's technical achievements since the horror genre still didn't convince enough people to give a shot.

Regarding the other characters, they're my main issue. They simply felt like plot devices. Will Poulter (Mark) is funny as the comic-relief guy, but his character, like every other one besides Dani, doesn't do much to make me care about or feel invested in their own subplots (if there are any). They barely have any backstory, and their purpose is basically to help move the plot forward by giving Aster opportunities to show some pagan rituals of some kind. There are incredibly shocking, bloody, and jaw-dropping scenes, some might make you feel uncomfortable, others might make you laugh. But they're all meant to shock you in some shape or form.

Whether you love it or hate it, Midsommar is memorable. If you didn't enjoy Hereditary due to the lack of jump scares, the former isn't for you then. Midsommar requires full attention, patience, and an open-minded mentality. It's not a generic horror flick, so don't go in expecting to be constantly entertained by silly scares. Expectations are everything, so moderate them in the best way possible. It has one of the most abstract ways of addressing a difficult relationship and how to deal with grief, but if you LOOK AT THE WALLS, you'll be able to (maybe) follow the story a bit better.

Technically, Ari Aster delivers a masterful work, with exceptional production design and gorgeous cinematography, plus seamless editing. Florence Pugh carries the story on her shoulders with an astonishingly compelling performance, but her supporting cast didn't do much with their under-developed characters. The film drags a lot, and it can become tedious at some point, but in the end, it's one of those movies that sticks with you. A second viewing may be necessary, and it will probably be a better experience. Can't wait to find out. Go see it!

Rating: B
_Midsommar_ might genuinely be my big disappointment for 2019. I'm not saying it's bad. But coming into this on the back of not only the crazy good _Hereditary_ from last year, but also the **gushing** praise from the online horror community, I guess my expectations were a little high. It doesn't make me feel good to say it, but honestly I'm glad I didn't see this in the cinema. Firstly because I think I might've been a little mad if I had forked out $25 to see this, based on the experience I ended up happening, but also secondly, because I don't much feel like going blind in the theatre from the sheer white exposure that takes up 97% of _Midsommar's_ runtime.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
An impressive work, “Midsommar” is Ari Aster’s follow-up to “Herditary,” a decent if flawed horror film.

“Midsommar” follows Dani, who, after the tragic loss of her parents and sister, decides to follow her increasingly distant boyfriend and his friends on a trip to Sweden to visit the pagan cult commune their roommate, Pelle, grew up in. While seemingly open and friendly, it becomes obvious fairly quickly that something else is going on here. The obvious comparisons to “The Wicker Man” are not uncalled for.

First, in the interest of full disclosure, this review is based on the nearly three-hour Director’s Cut of the film rather than the theatrical release. I haven’t even seen the theatrical release, so I can’t attest as to what was added in the nearly 30 new minutes. I will say that the Director’s Cut is pretty seamless and doesn’t seem to have any superfluous scenes.

Second, we need to start with the elephant in the room and address how this compares to “Hereditary,” which as I stated was okay but flawed. The major flaw in that film is that it has its own internal consistency, but doesn’t have consistency from an audience standpoint. There’s only the most minor of hints as to the truth, and it’s clear that in that world, such things were possible, but the audience isn’t really let in on the answer until the end. The audience has to think about it to get that internal logic. I’m usually the type that doesn’t like spoonfeeding information to the audience, but this withheld a little too much.

Okay, that was “Hereditary.” So how does “Midsommar” compare? Well, it’s far better in terms of letting the audience in on the secret and revealing its internal logic. But, sometimes it’s too good at it. There’s not much of a secret. You know what’s ultimately coming.

However, interestingly this is where the brilliance of the movie actually comes in. Much like life and sex, it’s about the journey, not the destination. We know where we’re going, but the fun is in seeing how we get there. And it’s a fun and colorful journey. This is bright daytime horror, taking place in Sweden at Midsommar when there is very little darkness at night, which itself could be a metaphor in that we can see the end and know where we’re going.

So, why only 4 stars? The film is great, but definitely not perfect and has a couple deep flaws. I could give the film a little more credit if it did conceal the end a little more, giving a less obvious “twist.” The other is that it sticks pretty close to traditional character archetypes for horror films. If you don’t know what I mean, this was very well addressed in “Cabin in the Woods.” A little more variety and a little added creativity could have elevated “Midsommar’s” score. While it’s still great, don’t expect a perfect film.